RockOm

This week, considering that it's Halloween and all, we've decided to share with you articles about the darker side of music, death, and all that is frightening and spooky. After all, part of spirituality is dealing with and coming to grips with death, so we wanted to help provide you with some musical inspiration for your Halloween weekend.

Below that we've also included our normal RockOm Roundup links, all that's going on around the world in the areas of song and spirit...

Halloween Roundup

• A Halloween Playlist: The Scariest Albums Of All Time - "I've created a list of the scariest albums ever made. It wasn't easy (seriously, I could've included every black-metal album ever made or Avril Lavigne's The Best Damn Thing), but rather than focus on visceral screams, I went for ephemeral chills. These are psychological thrillers — dense, raw, positively horrifying albums, guaranteed to turn your Halloween into a total fright-fest." (mtv.com)

• Scary songs to put a shiver in your Halloween party - "It’s Halloween and time for some scary songs – and, no, I don’t mean Bobby 'Boris' Pickett’s 'Monster Mash.' I mean really scary songs. Here are 20, arranged chronologically, that’ll give you the chills..." (leisureblogs.chicagotribune.com)

• Slayer to stream entire new album on MySpace Music for Halloween weekend - "Thrash legends Slayer will take over MySpace's Music portal this Halloween weekend to promote their upcoming album, World Painted Blood." (examiner.com)

• What are the scariest rock songs ever?- "Aside from the truly frightening new release by the Backstreet Boys or Bob Dylan's new Christmas album, what are the scariest rock songs to tingle your spine and rattle your senses?" (blog.mlive.com)

Miscellaneous Music & Spirituality Links

• The RZA: Hip-Hop's Prophet - "In his new book, Tao of the Wu, RZA tells the story of his own rise, from the streets of Staten Island to the top of the hip-hop world. He describes the lessons he learned about life, music and spirituality--many of them hard--in the simple, elegant prose of a hip-hop poet." (pbs.org)

• Bruce Almighty - "Springsteen saved me when I was a suburban Cleveland teenager, bored and unconsciously seeking fever and fire. My mom advised channeling that desire into the Catholic Church by praying more. 'Mass is what you bring to it,' she said." (philly.org)

• What makes music beautiful? Alfred Brendel knows - "Interpreters should never assume that understanding the structure of a work might automatically give them insight into the work’s character, atmosphere and spiritual state." (artsblog.freedomblogging.com)

• Sting: Obama best person to handle world's 'mess'- Sting says, "My hope is that we can start talking about real issues and not caring about whether God cares about your hemline or your color ... We are here to evolve as one family, and we can't be separate anymore." (news.yahoo.com)

By Tom Crenshaw and Trevor Harden

On Tuesday of this week we posted our review of Sting's new winter-themed concept album, If on a Winter's Night... It just so happens that one of the musicians who plays on this recording - violinist Daniel Hope - shares a home city with RockOm. We reached out to Daniel to get his thoughts on Sting's new collection, what winter means to him and more. First a little background...

British violinist Daniel Hope is a four-time Grammy nominated violin virtuoso who has toured and performed with the world’s greatest orchestras and conductors for many years. Hope is renowned for his musical versatility, creativity and his dedication to humanitarian causes. A compelling performer, Hope’s work involves standard repertory, new music, raga, and jazz. He is also an artistic partner, associate artistic director, and producer of musical festivals, events and special musical programs around the world.

Daniel Hope, now an exclusive Deutsche Grammophon artist, has earned a Classical BRIT award, the Deutsche Schallplattenpreis, and five consecutive ECHO Klassik Prizes. He previously recorded for Warner Classics and Nimbus, playing Bach, Berg, Britten, Elgar, Finzi, Foulds, Ireland, Mendelssohn, Mozart, Penderecki, Schnittke, Shostakovich, Tippett, Walton, and Weill. His interpretation of Ravi Shankar’s compositions, on the CD East Meets West, met with worldwide acclaim.

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RockOm: Briefly describe how you came to be involved with If on a Winter's Night...

Daniel: In a sense, Sting and I go back a long way, but our connection is a curious one. He bought Yehudi Menuhin's house in London, the place where I spent the first seven years of my life growing up. The house was very important to me, and offered me the first chance to experience some of the greatest musicians close-up, such as Ravi Shankar, Stephane Grapelli, and of course the classical masters. I consider it one of the most important musical influences in my life. When Sting moved into the house, we lived across the street, and so I would often see him around. I became acquainted with his music first through The Police, which I listened to when I was a small boy. In 2006 we were both awarded the German ECHO Prize (the equivalent to the German Grammy), and we met officially for the first time backstage in Munich. Sting was so intrigued by this co-incidence, that we have kept in touch since. Then, early this year, he emailed me and invited me to guest on his new album. I was honoured and very excited.

RockOm: Your improvisation skills are quite impressive and impeccable. How much improvisation did you and the other musicians incorporate into the album?

Daniel: There are phenomenal musicians on this album, and all of them are masters of improvisation too. Classical musicians are not usually required to improvise, but my earliest musical training encouraged me to learn how to, and I am very thankful for that! Of the tracks in which I was involved, and also listened to, there was great freedom between the musicians, and it was inspiring to watch the story unfold.

RockOm: What are your overall impressions of the completed album?

Daniel: I think it's a beautiful, unique and deeply powerful album. Sting is a supreme artist, and his knowledge and command of repertoire, style and musicality is simply astonishing. I can't think of another pop star who would have the courage or the insight to bring off, for example, a song from Schubert's Winterreise or a Purcell Aria, and yet, everything Sting does, he does with his own voice and expression, and the very highest level.

RockOm: What does winter mean to you, both personally as well as from a philosophical viewpoint?

Daniel: For me winter is a season of reflection, and calm, especially as the year draws to a close. I can't think of a better companion to these feelings than sitting in front of the fire, and listening to If on a Winter's Night...

http://www.danielhope.com/home/

"There are dark shadows on the earth,
but its lights are stronger in the contrast."
[Charles Dickens]

Dickens' words remind us of what we enjoy bringing you each week at RockOm: musically-deep artists who reveal all the rich variety of the light/dark spectrum.

The luminosity of light quite literally marks this week's Featured Track of the Week by the artist known as Lights. Lights is an up-and-coming electro-pop artist whose song "Saviour" can be previewed on the homepage all week long.

From the darker end of the spectrum check out my review of Sting's newest offering, If on a Winter's Night... This collection of original and "borrowed" folk tunes is an intensely reflective and spiritually-rich companion for the coming wintry season.

Enjoy,
Trevor Harden, President of RockOm.net

By Trevor Harden, trevor@RockOm.net

"For we are gathered here to celebrate and explore the music of Winter,
the season of frosts and long dark nights."

So writes Sting in the liner notes to his latest recording, If on a Winter's Night..., a concept album centered on the darkest and most contemplative of the four seasons. What began as a suggestion to create a Christmas album has evolved into a collection of pensive songs - both original and borrowed - that survey that most spiritually reflective time of year.

Sting continues,

"Like all early creatures we seem pre-wired to recognize and respond to the polar archetypes of light and dark, of heat and cold as they are encoded in the rhythm of the days and nights and the perpetual cycle of the seasons."

And while most of Sting's popular work - if not lyrically, at least in tone - has rested more in the realm of light, If on a Winter's Night... plunges into the darkness and stays there for 50 frigid minutes, never budging from its stoic, frosty soundscape.

To get a sense of this album, one has only to look at the cover art: Sting walks alone in a snowy woods, accompanied only by his icy-whiskered companion named Compass. There is a silence that whispers from within the photo, only presumably broken by the sound of crunching snow collapsing beneath rubber soles. And this picture, in its simplicity, sums up the album perfectly, as if the audio from these 15 tracks had coalesced into a single image.  Both Sting and his marketing team have done a fantastic job "setting the stage" for this album, carrying out the concept and vision to its fullest potential: Pictures in the album's liner book include a heavily bearded and deep-eyed Sting, blustery landscapes, sweaters and coats, candle-lit living rooms and musicians in wistful meditation. Wintry words spill out from the pages of Sting's personal commentary such as mentions of "hot mugs of tea," scarves, ghosts and coal fires... he's certainly attempting to paint a picture. And he has, quite successfully.

PARALLEL STORIES

You could go so far as to say that a Winter-themed album that ignores the reality of Christmas would be in error, as the two have become so intertwined in Western culture. As the large portion of Sting's borrowed material stems from British and Scottish sources, it's no surprise that the album begins with a song singing the praises of Mary, the mother of Jesus. In fact the story of the "God-child come to earth" makes repeat appearances on If on a Winter's Night..., appearing also in the recordings of the 15th century German carol "Lo How a Rose E'er Blooming," the touching fable-song "Cherry Tree Carol," and beyond. Despite Sting's self-professed agnosticism, he shares that "the sacred symbolism of the church's art still exerts a powerful influence over [him]."

Don't for a minute believe this is a Christian-centric album, however. Alongside hymns singing the praises of "the root of Jesse" are hints of something more ancient, medieval, folksy, ritualistic, natural and even pagan. In his own words, Sting says that it was "important to draw parallels between the Christian story and the older traditions of the winter solstice."

Spiritually and metaphorically, Winter's Night draws you inward through sonic themes related to winter such as reflectiveness, introspection and stillness. In order to fully "get" this album and its overtly subtle tone, one almost needs to understand Sting's motivation:

"...there is something of the Winter that is primal, mysterious and utterly irreplaceable ... as if we somehow need the darkness of the winter months to replenish our inner spirits as much as we need the light, energy and warmth of summer."

He goes further, acknowledging that Resurrection and light are just around the bend as Winter soon makes way for Spring. In truth they are two sides of the same coin:

"We are reminded that there is light and life at the centre of the darkness that is Winter - or conversely that, no matter how comfortable we feel in the cradle, there is darkness and danger all around us."

THE SONGS

Those longing to hear a new offering supported by Sting's Fender P-bass, electric guitars, synthesizers and a trap set need look elsewhere for herein we experience the folk-inspired sounds of harp, classical guitar, Melodeon, cello, Northumbrian Pipes, and fiddle. Fans of the Sting who penned Brand New Day, Mercury Falling, Ten Summoner's Tales and the majority of the Police's material will have to be remarkably open to other styles of music in order to include this alongside their favorite of his albums. This is not because this latest release is less than his previous offerings, not at all, but rather that it is so extraordinarily different from them. If On a Winter's Night... was released on the Deutsche Grammophon label which is both appropriate and telling, for this collection of songs belongs more suitably alongside your classical CDs (or even his own 2006 album Songs from the Labyrinth) than it does next to your Peter Gabriel or Paul Simon discs.

Sting begins with "Gabriel's Message," singing "Most highly favored lady, Gloria!" over the gentle instrumentation of a nylon-stringed guitar, muted horns and tight vocal harmonies.  From there the album slowly and intentionally bubbles forward like a frozen-over brook, presenting classical and folk pieces including a Celtic begging song, a folk tune from Sting's home of Newcastle, a number from Henry Purcell's King Arthur, a reference to Schubert's Winterreise and more; as well as two original pieces, the beautiful "Lullaby for an Anxious Child" and a new arrangement of the previously recorded "Hounds of Winter."

CONCLUSION

If on a Winter's Night... is almost "application music," or music for the purpose of introspection, mood setting, or direct listening. It most likely shouldn't be considered for enlivening your holiday party with yuletide cheer and may not even be - if I may be so bold - for entertainment. Like most music with depth, it requires a certain conscious presence to fully appreciate and experience, coming to grips with it over time like slowly warming beneath a freshly applied sweater.

There's a mystery in the dark of winter that is both unsettling and strangely comforting, as if everything remains unanswered and yet is perfect as it is; If on a Winter's Night... resides in that mystery. It isn't music for everyone, nor will there be any signature Sting hit singles emerging from it, and yet for those brave enough to look within and meditate on what lies in the heart of darkness, it is a welcome companion to the bleak seasons, both in nature and in the soul.

"If I have a spirituality at all, it's about music. I play and I listen to music as if it really matters to my soul, to my eternal being." [Sting]

"Artists reach areas far beyond the reach of politicians. Art, especially entertainment and music, is understood by everybody, and it lifts the spirits and the morale of those who hear it." [Nelson Mandela]

Nelson Mandela, one of the world’s most inspiring and influential men, winner of the Nobel Peace Prize and the first President of post-apartheid South Africa turned 91 on Saturday. Mandela's legacy was celebrated at a star-studded concert at New York City's Radio City Music Hall and was attended by some of the industry's brightest.

It has been almost two decades since Mandela was released from his 27 years of imprisonment at Robben Island and Victor Verster prison where he was known by the infamous prisoner number 46664. The entire world cheered upon watching the live coverage of Mandela's release on February 11, 1990. We delighted again three years later in 1993 when he won the Nobel Peace Prize. Then, scarcely a year later upon his election as President of South Africa we came to understand the full significance of how far the human race and spirit had evolved.

Over the 27 years Mandela was imprisoned by the separatist South African government, musicians worldwide kept Mandela and his fight for an integrated South Africa in the forefront of our social conscience through music and song. One of the first and most popular songs elevating Mandela and the outlawed African National Congress to the world stage was from the group The Specials, who in 1983 recorded the song "Nelson Mandela". In 1985 Stevie Wonder won an Academy Award for his song "I Just Called To Say I Love You" and dedicated the Oscar to Mandela. Also, in 1985 the album Sun City: Artists United Against Apartheid featured songs by a who’s who of the music world including Steven Van Zandt, Bono, Keith Richards, Peter Gabriel, Ringo Starr, Miles Davis, Herbie Hancock, David Ruffin, Eddie Kendricks, Joey Ramone, Jimmy Cliff, Daryl Hall, Lou Reed, Jackson Browne, Bob Dylan, Pete Townshend, Stanley Jordan, Bonnie Riatt, Bruce Springsteen and many others.

On June 11, 1988, The Nelson Mandela 70th Birthday Tribute took place at Wembley Stadium, London and was broadcast to 67 countries and an audience of 600 million. Musicians taking part in the concert included Dire Straits, Simple Minds, George Michael, Whitney Houston, Aswad, Hank Wangford, Sly and Robbie, Stevie Wonder, Peter Gabriel, Jerry Dammers, Al Green, Bryan Adams, Jackson Browne, UB40, Salt-N-Pepa, Chubby Checker, Miriam Makeba, Eric Clapton, and Sting.

Music certainly played a part in helping bring about the freedom of Nelson Mandela. Mr. Mandela's story continues to serve as a reminder of the awesome power music plays in lifting human rights and social causes to a higher ground where change occurs. The soundtrack in which to remember that special moment in time will never be forgotten. It will be looked upon as an example by generations to come for furthering future causes of freedom and equality for the oppressed and subjugated.

Today we celebrate the life of Nelson Mandela as he turns 91 and offer acknowledgment and gratitude to not only Mandela for his graceful example of humanity at its most noble, but to those musicians and social activists as well who took up the cause of equality for all, becoming Mandela's voice at a time his voice was seemingly silenced.

Les Prix Nobel/Nobel Lectures
CNN
Nelsonmandela.org
Mandela.tv

Sting is set to release a new CD on October 27 entitled If On a Winter’s Night… The album will feature two original works as well as a collection of traditional songs, carols, and lullabies from the British Isles. The entire album is based on Sting's affection for the winter season. "The theme of winter is rich in inspiration and material," Sting said in a statement released on his website. "By filtering all of these disparate styles into one album I hope we have created something refreshing and new."

Sting goes on to further explain the allure of winter stating, "Our ancestors celebrated the paradox of light at the heart of the darkness, and the consequent miracle of rebirth and the regeneration of the seasons."

Sting's lyrics often carry solemn themes-he has written about the dangers of nuclear energy, the "disappeared" of Chile, and about death and destruction. He has also infused his songs with transformative and uplifting words and isn't shy about his spirituality (think "Brand New Day," "A Thousand Years," "Ghost Story," and "If You Love Somebody Set Them Free").

As we await the release of If On a Winter's Night..., let us take a moment and allow Sting to speak for himself on the subject of spirituality through these various interview excerpts we’ve compiled [various sources].

"I've never accepted any of the categories of music as being anything but artificial labels, and I see music as a common language that links all cultures, races, and historical periods. I enjoy moving through that continuum without any self-consciousness or feelings of boundaries. It's more fun that way."

"Spirituality is becoming increasingly important to me as I get older. Philosophy, about what happens after death is particularly fascinating to me."

"The only meditation I would have done before (Ashtanga yoga) would be in the writing of songs. In the composing of music you have to enter virtually a trance state to transmit songs. I don't think you write songs. They come through you. It's trusting that they exist out there and you have to be the transmitter. For that you need a certain amount of mental purity. Yoga is just a different route to that same process. You're taking something from our higher selves and putting it to use in normal life, I think."

"I hear music all the time. Sometimes it drives me totally crazy. In absolute silence I hear music. I hear music, I hear rhythms, I hear bird song. I live in an aural world. It's never totally empty."

"I think in my life, to a large extent, I've only paid lip service to a spiritual life. I was brought up as a Catholic and went to church every week and took the sacraments. I was educated that way, but it never really touched the core of my being. As I get older I find that I am unwilling to accept an existential universe without a God. It doesn't actually make logical sense anymore. To me I feel that there has to be a higher level of compassion, of understanding, than merely a human one. It's embodied in all of us. I just think we have to decode it. The Godhead, or whatever you want to call it - it's better not to give it a name, is encoded in our being. There are various methods of decoding it and I think that Yoga is perhaps one of them. Music is another, [as is] meditation and prayer."

"What I'm facing at the moment in my spiritual life is the enormity of [the possibility of manifesting love and compassion], which I find quite terrifying. I'm working with that enormity. It's certainly not easy. It's not an easy path. Like Yoga, the spiritual life is actually very difficult."

"Up until quite recently I've actually thought I was immortal. As ridiculous as that sounds, most young people think they're immortal. Particularly when things are going well, when you're successful, when you're happy and you have a lot of stuff going for you. How could you possibly die? The bad news is, of course you can. And the good news too, is that you die. I think we have to embrace the idea. We have to accept that it's as natural as being born, as natural as breathing out, as breathing in. It's part of life. Sometimes I fight against it, as we all do, but acceptance, I think, is the most positive thing we can do. That doesn't mean being miserable or totally obsessed with the idea to one's detriment. If anything, I think, the acceptance of death gives you more of a stake in life, in living life happily, as it should be lived. Living for the moment. I'm learning this. Again, I'm not speaking as someone who has reached satori or anything else. I'm a student."

Sources: Yoga Journal Magazine by Ganga White and Stephen Dalton.
AOL Interview 1995